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Title: Projekt «PetrushkA In St. Petersburg».
Location:
Categories: Media
Environment
Technology
Status:
In Progress
Timeline:
February 21 09 to February 21 12
Description:
\"The best remedy for CRISIS, NOT A COMPLAINT TO THE CRISIS, animations and loud.\"\r\nGENERAL KANSLER Germany, Angela Merkel\r\nVsevolod Meyerhold lifelong dream of reviving with Balagan and PetrushkA. Eisenstein and Kozintsev until 1929, continued the search for new\r\nforms of farce to the cinema.\r\n\r\nIndispensable and very important part of St. Petersburg culture were\r\nfamous city festivals and entertainment with their\r\noriginal genre, themes, images, verbal and entertainment, gaming\r\nart.\r\nRelevant components of this culture was Petrushka\r\n- A national hero doll. Favorite of many cities,\r\npopular throughout the vast space of Russia, St. Petersburg, he had\r\nhis face was unique, as is North Palmyra. Incarnation\r\nfreedom, irrepressible energy, the wise people\'s words\r\nand laughter, it is not accidentally turned alien impersonal Soviet\r\nreality and hold on for many decades in dusty cabinets\r\nmuseums, stood as a unique rarities.\r\nCreated by a journalist and poet Irina Dudina actual dome\r\nfor surprisingly mobile and multi-screens, invented\r\nsponsor, the curator of cultural programming fund Shemyakin - Yuri\r\nShevnin used not only for its intended purpose (as\r\ntheater screen), and at the same time witty, unconventional way\r\nadvertising.\r\nThe draft takes into account the charitable, educational and\r\nthe humanitarian side, the opportunity to engage in creative work of children\r\nand contemporary artists.\r\nToday, thanks to grant support for puppet theater and Petrushek\r\nfarce developed since 1999. With the advent of small form in St Petersburg\r\npublic buildings and advertising sites in shopping malls\r\nan opportunity to the evolution of Petrushka and business escorts through\r\nvarious forms of the grotesque and the fusion of modern art.\r\nBy withdrawing the recommendation of the project «Petrushka In St. Petersburg»\r\nA. F. Nekrylova - Professor of the Russian Institute of History of Art,\r\nauthor of the book - «Russian national holidays»\r\nThe modern theater must absorb all of the specific theater\r\nReceptions - pantomime, improvisation, a new mobile architecture, masks,\r\ntheatr paper, presentation and promotion of contemporary art, science\r\nand inventions in all fields.\r\nIn this case, the PV Annenkov in his time, wrote that it was time, finally,\r\nunderstand that the only form that can be Russian theater\r\nout of boredom, it is Balagan.\r\nThis was called the return of the theater to its original, which\r\nis a farce.\r\nTo the essence of farce, you will see that everything is happening here\r\nas a particularly wonderful, and not in kind, in the sphere of ordinary life.\r\nFor example, in balagane costume plays a very different role than that\r\nHe also plays in a regular theater. Entering the booth furnished\r\nis a special ritual, a special parade and mystery. Itself\r\nappearance farce, log into it attracts your attention to\r\nunusual type of DROPS form.\r\nHere you will hear a presentation before the prologue. More on special\r\nparted the curtain. By special leave the actors. Due to\r\nhyperbolic screens Petrushka under the sound of the drum and\r\nglockenspiel.\r\nMegaphone, shouting Petrushka inhuman voice sends shivers down\r\nin the skin. Costumes and masks \r\nin special manner. Even paint, color, costumes and puppet plays\r\nin balagane special role. \r\nFarcical masters know what is a special form.\r\nWithout these special pro theatrical forms, without these things and jokes,\r\nTheater simply ceases to be interesting. Tan in the drums and the food in\r\na megaphone for the irritation of spectators and passers-by, that after this\r\neverything that happens under the dome farce seemed natural to you and\r\nexcellent, and all of the most incredible miracles farce considered by you\r\nquite plausible.\r\nFor this kind of purely theatrical techniques impact on the viewer,\r\ntrue it is a normal phenomenon in the theater, when to pull\r\nscene something we all know the tale, but develop it in a way\r\nto motivate the audience is not naked plot, which had\r\nused, and different kinds of theatrical figures and tricks,\r\ndifferent gag and topical. Only in this case\r\ntransferred to the viewer a feeling of heat and freshness of the passing moment,\r\nwhich is not in the movie.\r\nThus capturing the attention of the public, a new cause of\r\nlook at the old. In Russian balagane theater or hall that\r\nReception can not be more true advocates for the role of Petrushka, which\r\ndespite the fact that all know in advance what this figure IT.\r\nAgain and again drew the attention of the public ...
Background:
By the 20 th years of the new U.S. professional puppet theater has been created. Among\r\nyoung people a lot of enthusiasts who decided to become a professional\r\npuppeteer. Across North America, toured about a dozen\r\nprofessional puppet troupes established with support from the Government\r\nand President Roosevelt to advocate a new economic course\r\nthe financial crisis. Stationary theaters closed, the troupe\r\ndisintegrated. Survived in this harsh situation, very few, mostly\r\nthose who worked alone with minimal number of dolls,\r\ndecorations and equipment.\"The best remedy for CRISIS, NOT A COMPLAINT TO THE CRISIS, animations and loud.\"\r\nGENERAL KANSLER Germany, Angela Merkel\r\nVsevolod Meyerhold lifelong dream of reviving with Balagan and PetrushkA. Eisenstein and Kozintsev until 1929, continued the search for new\r\nforms of farce to the cinema.\r\n\r\nIndispensable and very important part of St. Petersburg culture were\r\nfamous city festivals and entertainment with their\r\noriginal genre, themes, images, verbal and entertainment, gaming\r\nart.\r\nRelevant components of this culture was Petrushka\r\n- A national hero doll. Favorite of many cities,\r\npopular throughout the vast space of Russia, St. Petersburg, he had\r\nhis face was unique, as is North Palmyra. Incarnation\r\nfreedom, irrepressible energy, the wise people\'s words\r\nand laughter, it is not accidentally turned alien impersonal Soviet\r\nreality and hold on for many decades in dusty cabinets\r\nmuseums, stood as a unique rarities.\r\nCreated by a journalist and poet Irina Dudina actual dome\r\nfor surprisingly mobile and multi-screens, invented\r\nsponsor, the curator of cultural programming fund Shemyakin - Yuri\r\nShevnin used not only for its intended purpose (as\r\ntheater screen), and at the same time witty, unconventional way\r\nadvertising.\r\nThe draft takes into account the charitable, educational and\r\nthe humanitarian side, the opportunity to engage in creative work of children\r\nand contemporary artists.\r\nToday, thanks to grant support for puppet theater and Petrushek\r\nfarce developed since 1999. With the advent of small form in St Petersburg\r\npublic buildings and advertising sites in shopping malls\r\nan opportunity to the evolution of Petrushka and business escorts through\r\nvarious forms of the grotesque and the fusion of modern art.\r\nBy withdrawing the recommendation of the project «Petrushka In St. Petersburg»\r\nA. F. Nekrylova - Professor of the Russian Institute of History of Art,\r\nauthor of the book - «Russian national holidays»\r\nThe modern theater must absorb all of the specific theater\r\nReceptions - pantomime, improvisation, a new mobile architecture, masks,\r\ntheatr paper, presentation and promotion of contemporary art, science\r\nand inventions in all fields.\r\nIn this case, the PV Annenkov in his time, wrote that it was time, finally,\r\nunderstand that the only form that can be Russian theater\r\nout of boredom, it is Balagan.\r\nThis was called the return of the theater to its original, which\r\nis a farce.\r\nTo the essence of farce, you will see that everything is happening here\r\nas a particularly wonderful, and not in kind, in the sphere of ordinary life.\r\nFor example, in balagane costume plays a very different role than that\r\nHe also plays in a regular theater. Entering the booth furnished\r\nis a special ritual, a special parade and mystery. Itself\r\nappearance farce, log into it attracts your attention to\r\nunusual type of DROPS form.\r\nHere you will hear a presentation before the prologue. More on special\r\nparted the curtain. By special leave the actors. Due to\r\nhyperbolic screens Petrushka under the sound of the drum and\r\nglockenspiel.\r\nMegaphone, shouting Petrushka inhuman voice sends shivers down\r\nin the skin. Costumes and masks \r\nin special manner. Even paint, color, costumes and puppet plays\r\nin balagane special role. \r\nFarcical masters know what is a special form.\r\nWithout these special pro theatrical forms, without these things and jokes,\r\nTheater simply ceases to be interesting. Tan in the drums and the food in\r\na megaphone for the irritation of spectators and passers-by, that after this\r\neverything that happens under the dome farce seemed natural to you and\r\nexcellent, and all of the most incredible miracles farce considered by you\r\nquite plausible.\r\nFor this kind of purely theatrical techniques impact on the viewer,\r\ntrue it is a normal phenomenon in the theater, when to pull\r\nscene something we all know the tale, but develop it in a way\r\nto motivate the audience is not naked plot, which had\r\nused, and different kinds of theatrical figures and tricks,\r\ndifferent gag and topical. Only in this case\r\ntransferred to the viewer a feeling of heat and freshness of the passing moment,\r\nwhich is not in the movie.\r\nThus capturing the attention of the public, a new cause of\r\nlook at the old. In Russian balagane theater or hall that\r\nReception can not be more true advocates for the role of Petrushka, which\r\ndespite the fact that all know in advance what this figure IT.\r\nAgain and again drew the attention of the public ...
Objectives:
The protection of cultural monuments and green parks and towns of Russia with the help of the synthesis of contemporary art, folk art and new technologies
Milestones:
2009 - actions and performances in the Pavlovsk Park St. Petersburg, Russia.\r\n2010 - In the gardens of Dupont, Pennsylvania USA.
Budget:
2000$
Needs:
megaphone, drum, xylophone, financial support
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