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Mar 5th, 2009 - 13:00:45 |
DROP
Always through the crisis on the market are formed small companies can make new socially significant products with minimum cost.
In Russia, destroyed by civil society organizations.
We offer virtual education and a mobile puppet theater for the protection of cultural and green values. In every social organization for the transfer of experience creating educational space. 
Mar 1st, 2009 - 03:07:38 |
DROP
The Geppetto Dreams Puppet Company’s mission is to integrate puppetry into the lives of the Austin community through art education, experimental opportunities for the public, and nurturing the creative process of other puppetry artists by giving them a venue to share their visions.” Hi I’m Ricki Vincent and I’m a puppeteer. When I tell people that I’m a puppeteer they have a hard time trying to wrap their minds around the statement, until I show them something wonderful. Then, as if by magic, my chosen profession makes perfect sense to them. Since my full time return to puppetry in 2000 I've performed thousands of street shows, produced a popular puppet TV show from 1999 to 2001 that ran on several Public Access/ college stations, and created/performed commissioned works for the stage, and film. On top of this I have spent hundreds of hours teaching free and paid workshops to both children and adults on puppet design/construction/performance. As well as creating an award winning workshop on designing puppets from recyclable and found items. I am currently working on my latest piece “A Night at Miss MiMi’s” an all puppet burlesque show which was funded by private contributors and a substantial grant from the Creative Capital Foundation. I’m also interested in forming a non-profit puppet theater company and center for puppetry arts here in Austin. My plan is to raise money through the grant process, sales of my work, live events, and of course, private contributions. The center’s three major functions, first and foremost a commitment to exposing the community to the many different styles of puppet theater from it’s ancient beginning to the more contemporary styles of the 20th century. Next, the center will provide a venue for new work from emerging puppeteers, touring acts, and offer artist residencies. And last, but certainly not least, Education. The center’s goal will be to offer theater internships, as well as all-ages workshops, puppet camps, and other theater courses such as music set design and dance for free for those who qualify or on a sliding scale to those who can afford it. By doing this I feel that this wonderful art form will ensure that the next generation will have an appreciation of the role that the performing arts has in a modern society. And there you have it, they master plan. If this sounds like something you’d like to support or be a part of please feel free to contact me at admin@geppettodreams.com Thank you for your time Ricki (Geppetto) ..
Feb 21st, 2009 - 03:44:31 |
DROP
He also plays in a regular theater. Entering the booth furnished is a special ritual, a special parade and mystery. Itself appearance farce, log into it attracts your attention to unusual type of GREEN DROPS form. Showcases the ground-breaking applications and content addressing the natural environment, promoting environmental sustainability, integrating the principles of environmentally sustainable development into country policies and programmes, reversing the loss of environmental resources including biodiversity, reducing the proportion of people without sustainable access to safe drinking water and improving the lives of slum dwellers.
Here you will hear a presentation before the prologue. More on special
parted the curtain. By special leave the actors. Due to hyperbolic screens Petrushka under the sound of the drum and glockenspiel.
Megaphone, shouting Petrushka inhuman voice sends shivers down in the skin. Costumes and masks in special manner. Even paint, color, costumes and puppet plays in balagane special role. Farcical masters know what is a special form.
Without these special pro theatrical forms, without these things and jokes,
Theater simply ceases to be interesting. Tan in the drums and the food in
a megaphone for the irritation of spectators and passers-by, that after this
everything that happens under the dome farce seemed natural to you and
excellent, and all of the most incredible miracles farce considered by you
quite plausible.
For this kind of purely theatrical techniques impact on the viewer, true it is a normal phenomenon in the theater, when to pull scene something we all know the tale, but develop it in a way
to motivate the audience is not naked plot, which had used, and different kinds of theatrical figures and tricks, different gag and topical. Only in this case transferred to the viewer a feeling of heat and freshness of the passing moment,
which is not in the movie.
Thus capturing the attention of the public, a new cause of look at the old. In Russian balagane theater or hall that
Reception can not be more true advocates for the role of Petrushka, which despite the fact that all know in advance what this figure IT.
Again and again drew the attention of the public ...
P. Krusanov
In 1985, for another take-off, Kurekhin follows the principle described of his incredible team:
The point is that "Pop Mechanics" - a concept elastic ... That is, say, we sit with Boris and drink tea, and Boris said, for example, that not very long ago, we sang Neapolitan songs. "You in love with Naples? "I say:" Yes. "Excellent.
What are we to do this? .. For example, Naples. That is ... singer or a singer, who sing Neapolitan songs. Then, a string orchestra, plus
arrangement needs to be done in the spirit of Neapolitan songs. But the fact is Neapolitan songs that ordinary listener would be bored to listen.
More precisely, not boring, and historically. He can go somewhere else place and listen to them there. To make it as something interesting, we
make the other elements of music, which we are loved and want to listen. Suppose this sort of industrial music. In general, music performed on modern instruments, such as: turning benches, rails, rock hammers, anvils, hammers, axes,
nails ... We estimate approximately what the singer will perform this program. For example, Maria Bieshu or Elena Obraztsova, or Arkhipova. Suppose goes Bieshu begins to sing. In the second couplet the public has become bored, because she sings well, but this one
and the same. Here we have the whole industrial company starting out loud
to extract the sounds of industrial tools, but the noise of tires people, so we quickly it stops. Arkhipova, suppose continues dopevat the second couplet. But that will not give
listener bored, we again run a bit of industrial music.
But because the second time - this is too much, the piece industrial music very little. Then stop, and she continues to sing. Then, to change the character - the industry enough - we let a little bit of electronics, and then, say, we
Neapolitan music is sick, we want something else. That is, we want from your audience the experience that we are currently
want to listen ... The fact that we are on the scene, we would like to hear themselves.
This is trying to perform in concert and dance move on stage.
Pavel Krusanov.
The story began in a small room under the roof Lensoviet --
massive gray building on Petrogradke times of celebration
constructivism. And here the young stars of Petersburg
underground: musicians, poets and artists (underground culture is not
divided by the strict functional characteristics, representing a total
boiling cauldron) who seriously have not even dreamed of
professional recording studio, hundreds of thousands of divergent
copies of plates, on their own books on personal
pavilions at the Biennale in Venice, the establishment of the New Academy of Fine
Art ... These people were convened Kurekhin. Convened and inspiration
their dream, new synthetic
performances, where his plans to attend the entire meeting brethren.
In addition, there will be a symphony, folk and military brass
orchestras, soloists perform geese pigs and cows, leading
politicians make the choir, which will equal to the opera and pop
stars from time to time on the stage, where the bakers and decorators to build
huge Kolobok of lavash, the group will appear jazzmen,
dissident writers, poets, and avant-garde artists bisexual.
American spies and Soviet diplomats dance to the accompaniment of the rhythm section,
collected from Olympic champion weightlifters corps de ballet and the theater ..
In the courtyard stood in 1979.
New Professional Theater USA
By the 20 th years of the new U.S. professional puppet theater has been created. Among
young people a lot of enthusiasts who decided to become a professional
puppet theatr. Across North America, toured about a dozen professional puppet troupes established with support from the Government
and President Roosevelt to advocate a new economic course the financial crisis. Stationary theaters closed, the troupe disintegrated. Survived in this harsh situation, very few, mostly those who worked alone with minimal number of dolls, decorations and equipment.
Characteristic features of modern American puppet theater:
1 - Lack of public theaters. U.S.
puppet troupes are not receiving subsidies from the government;
2 - the lack of companies of their permanent premises -- visual rooms. Troupe traveled constantly, playing in schools,
hospitals, museums, churches, parks, public buildings, in urban theaters. Exceptions to this rule are isolated;
3 - a small company. U.S. puppet
companies tend to consist of two or three or even one-man show;
4 - a huge, defining the role of television. U.S.
companies exist primarily through speeches on television.
Currently in the U.S. is a lot of little puppet troupes.
They are mobile - and in direct and in figurative sense, they are responsive
and readily responded to the proposed circumstances, always ready
comply with any social order and, therefore, on the one hand, it is viable, but on the other - are useful to society. 
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